Selection from "Summer" in
Rural
Hours by Susan Fenimore Cooper (1850; rpt. 1887).
NOTE: The title "The Old Forest Pines" was added by the creator of
this web page.
"The Old Forest Pines"
by Susan Fenimore Cooper
Just at the point where the village street becomes a road and turns to climb the hillside, there stands a group of pines, a remnant of the old forest. There are many trees like these among the woods; far and near such may be seen rising from the hills, now tossing their arms in the stormy winds, now drawn in still and dark relief against the glowing evening sky. Their gaunt, upright forms standing about the hill-tops, and the ragged gray stumps of those which have fallen, dotting the smooth fields, make up the sterner touches in a scene whose general aspect is smiling. But although these old trees are common upon the wooded heights, yet the group on the skirts of the valley stands alone among the fields of the valley; their nearer brethren have all been swept away, and these are left in isolated company, differing in character from all about them, a monument of the past.
It is upon a narrow belt of land, a highway and a corn-field on one side, a brook and an orchard on the other, that these trees are rooted; a strip of woodland connected with the forest on the hills above, and suddenly cut off where it approaches the first buildings of the village. There they stand, silent spectators of the wonderful changes that have come over the valley. Hundreds of winters have passed since the cones which contained the seed of that grove fell from the parent tree; centuries have elapsed since their heads emerged from the topmost wave of the sea of verdure to meet the sunshine, and yet it is but yesterday that their shadows first fell, in full length, upon the sod at their feet.
Sixty years since, those trees belonged to a wilderness; the bear, the wolf, and the panther brushed their trunks; the ungainly moose and the agile deer browsed at their feet; the savage hunter crept stealthily about their roots, and painted braves passed noiselessly on the war-path beneath their shade. How many successive generations of the red man have trod the soil they overshadowed, and then sat down in their narrow graves--how many herds of wild creatures have chased each other through that wood, and left their bones to bleach among the fern and moss, there is no human voice can tell. We only know that the summer winds, when they filled the canvas of Columbus and Cabot, three hundred years ago, came sweeping over these forest pines, murmuring then as we hear them murmur to-day.
There is no record to teach us even the name of the first white man who saw this sequestered valley, with its limpid lake; it was probably some bold hunter from the Mohawk, chasing the deer, or in quest of the beaver. But while towns were rising on the St. Lawrence and upon the sea-board, this inland region lay still unexplored; long after trading-houses had been opened, and fields had been tilled, and battles had been fought to the north, south, east, ay, and even at many points westward, those pines stood in the heart of a silent wilderness. This, little lake lay embedded in a forest until after the great struggle of the Revolution was over. A few months after the war was brought to an honorable close, Washington made a journey of observation among the inland waters of this part of the country; writing to a friend in France, he names this little lake, the source of a river, which, four degrees farther south, flows into the Chesapeake in near neighborhood with his own Potomac. As he passed along through a half-wild region, where the few marks of civilization then existing bore the blight of war, he conceived the outline of many of those improvements which have since been carried out by others, and have yielded so rich a revenue of prosperity. It is a pleasing reflection to those who live here, that while many important places in the country were never honored by his presence, Washington has trod the soil about our lake. But even at that late day, when the great and good man came, the mountains were still clothed in wood to the water's edge, and mingled with giant oaks and ashes, those tall pines waved above the valley.
At length, nearly three long centuries after the Genoese had crossed the ocean, the white man came to plant a home on this spot, and it was then the great change began; the axe and the saw, the forge and the wheel, were busy from dawn to dusk, cows and swine fed in thickets whence the wild beasts had fled, while the ox and the horse drew away in chains the fallen trunks of the forest. The tenants of the wilderness shrunk deeper within its bounds with every changing moon; the wild creatures fled away within the receding shades of the forest, and the red man followed on their track; his day of power was gone, his hour of pitiless revenge had passed, and the last echoes of the war-whoop were dying away forever among these hills, when the pale-faces laid their hearth-stones by the lake shore. The red man, who for thousands of years had been lord of the land, no longer treads the soil; he exists here only in uncertain memories, and in forgotten graves.
Such has been the change of the last half century. Those who from childhood have known the cheerful dwellings of the village, the broad and fertile farms, the well beaten roads, such as they are to-day, can hardly credit that this has all been done so recently by a band of men, some of whom, white-headed and leaning on their staves, are still among us. Yet such is the simple truth. This village lies just on the borders of the tract of country which was opened and peopled immediately after the Revolution; it was among the earliest of those little colonies from the sea-board which struck into the wilderness at that favorable moment, and whose rapid growth and progress in civilization have become a byword. Other places, indeed, have far surpassed this quiet borough; Rochester, Buffalo, and others of a later date, have become great cities, while this remains a rural village; still, whenever we pause to recall what has been done in this secluded valley during the lifetime of one generation, we must needs be struck with new astonishment. And throughout every act of the work, those old pines were there. Unchanged themselves, they stand surrounded by objects over all of which a great change has passed. The open valley, the half-shorn hills, the paths, the flocks, the buildings, the woods in their second growth, even the waters in the different images they reflect on their bosom, the very race of men who come and go, all are different from what they were; and those calm old trees seem to heave the sigh of companionless age, as their coned heads rock slowly in the winds.
The aspect of the wood tells its own history, so widely does it differ in character from the younger groves waving in gay luxuriance over the valley. In the midst of smooth fields it speaks so clearly of the wilderness, that it is not the young orchard of yesterday's planting, but the aged native pines which seem the strangers on the ground. The pine of forest growth never fails to have a very marked character of its own; the gray shaft rises clear and unbroken by bend or bough, to more than half its great elevation, thence short horizontal limbs in successive fan-like growth surround the trunk to its summit, which is often crowned with a low crest of upright branches. The shaft is very fine from its great height and the noble simplicity of its lines; in coloring, it is a pure clear gray, having the lightest and the smoothest bark of all its tribe, and only occasionally mottled with patches of lichens. The white pine of this climate gathers but few mosses, unless in very moist situations; the very oldest trees are often quite free from them. Indeed, this is a tree seldom seen with the symptoms of a half-dead and decaying condition about it, like so many others; the gray line of a naked branch may be observed here and there, perhaps, a sign of age, but it generally preserves to the very last an appearance of vigor, as though keeping death at bay until struck to the heart, or laid low from the roots. It is true, this appearance may often prove deceptive; still, it is a peculiarity of our pine, that it preserves its verdure until the very last, unlike many other trees which are seen in the forest, half green, half gray, and lifeless.
The pine of the lawns or open groves and the pine of the forest differ very strikingly in outline; the usual pyramidal or conical form of the evergreen is very faintly traced on the short, irregular limbs of the forest tree; but what is lost in luxuriance and elegance is more than replaced by a peculiar character of wild dignity, as it raises its stern head high above the lesser wood, far over-topping the proudest rank of oaks. And yet, in their rudest shapes, they are never harsh; as we approach them, we shall always find something of the calm of age and the sweetness of nature to soften their aspect; there is a grace in the slow waving of their limbs in the higher air, which never fails; there is a mysterious melody in their breezy murmurs; there is an emerald light in their beautiful verdure, which lies in unfading wreaths, fresh and clear, about the heads of those old trees. The effect of light and shade on the foliage of those older forest pines is indeed much finer than what we see among their younger neighbors; the tufted branches, in their horizontal growth, are beautifully touched with circlets of a clear light, which is broken up and lost amid the confused medley of branches in trees of more upright growth. The long brown cones are chiefly pendulous, in clusters, from the upper branches; some seasons they are so numerous on the younger trees as to give their heads a decided brown coloring.
The grove upon the skirts of the village numbers, perhaps, some forty trees, varying in their girth from five or six to twelve feet; and in height, from a hundred and twenty to a hundred and sixty feet. Owing to their unscreened position and their height, these trees may be clearly distinguished for miles, whether from the lake, the hills, or the roads about the country--a landmark overtopping the humble church-spires, and every object raised by man within the bounds of the valley. Their rude simplicity of outline, the erect, unbending trunks, their stern, changeless character, and their scanty drapery of foliage, unconsciously lead one to fancy them an image of some band of savage chiefs, emerging in a long, dark line from the glen in their rear, and gazing in wonder upon their former hunting-ground in its altered aspect.
It needs but a few short minutes to bring one of these trees to the ground; the rudest boor passing along the highway may easily do the deed; but how many years must pass ere its equal stand on the same spot! Let us pause to count the days, the months, the years; let us number the generations that must come and go, the centuries that must roll onward, ere the seed sown from this year's cones shall produce a wood like that before us. The stout arm so ready to raise the axe to-day, must grow weak with age, it must drop into the grave; its bone and sinew must crumble into dust long before another tree, tall and great as those, shall have grown from the cone in our hand. Nay, more, all the united strength of sinew, added to all the powers of mind, and all the force of will, of millions of men, can do no more toward the work than the poor ability of a single arm; these are of the deeds which time alone can perform. But allowing even that hundreds of years hence other trees were at length to succeed these with the same dignity of height and age, no other younger wood can ever claim the same connection as this, with a state of things now passed away forever; they cannot have that wild, stern character of the aged forest pines. This little town itself must fall to decay and ruin; its streets must become choked with bushes and brambles; the farms of the valley must be anew buried within the shades of a wilderness; the wild deer and the wolf and the bear must return from beyond the great lakes; the bones of the savage men buried under our feet must arise and move again in the chase, ere trees like those, with the spirit of the forest in every line, can stand on the same ground in wild dignity of form like those old pines now looking down upon our homes.
The End
Resources
-
Susan
Fenimore Cooper--links to primary and secondary writings, including
several scholarly papers on Rural Hours, and links to several
biographies.
- Susan Fenimore Cooper, "A Lament for the Birds"--article in Harper's
New Monthly Magazine, 1893.
- Susan Fenimore Cooper, Nature Writing, and The Problem of Canonical Elision--Rochelle Johnson's scholarly paper
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