American Drama 565
Drama Definitions
Characteristics of Comedy of Manners:
- Scenes in gathering places for the upper classes (such as fine homes and exclusive clubs).
- Stock characters such as fops, country bumpkins, elegant young ladies, and older persons attempting to recapture
their youth.
- Romantic intrigue.
- Gossip.
- Schemers hatching plots against their enemies.
- Eavesdropping. (A character in a closet, behind a curtain, or in another room overhears information that
could embarrass or incriminate someone.)
- Scandal or the threat of scandal.
- Witty conversations. But the wit is often contrived and artificial.
Characteristics of Melodrama:
- The virtuous hero/heroine is hounded by a villain and is
rescued from a series of life threatening events.
- An episodic story unfolds rapidly after a short expository
scene.
- Each scene ends with a climax.
- Important events
occur onstage including elaborate spectacle.
- Plot devices like disguise, abduction, concealed identity and
fortunate coincidence are used.
- Villains are
always defeated and then brought to justice.
- Servants or lowly characters provide comic relief.
- Song and Dance is used to highlight and underscore the
production.
Characteristics of a Well-Made Play:
- Extensive exposition and careful preparation (foreshadowing) early in the play.
- A tightly knit cause-and-effect arrangement of plot
incidents.
- Each scene builds to a strong climax (or crisis).
- A secret known to the audience, but not to the play's
characters.
- A "show down" or confrontational scene between
the play's two major characters near the climax.
- A careful resolution of the action so there are no
loose ends.
Definition: Expressionism
in drama and art was a movement that rejected traditional
methods of representing objective reality. Instead,
expressionists exaggerated and distorted aspects of the
outside world in order to "express" subjective
moods and feelings. In other words, their landscapes and
portraits were actually "mindscapes." In American
drama, Eugene O'Neill, Elmer Rice, and Sophie Treadwell are noted for their
expressionist plays. Thriving from about 1910 to 1925,
expressionism continues to be an important influence on
experimental theatre and art.
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