This Page:
Ellen Jolin
Elisabeth Keyser
Hanna Pauli
Ida von Schulzenheim
Emma Sparre
Charlotte Wahlström
Interiör från Louvren
med
kvinnlig betraktare vid Pietro da
Rhos portal med bl a Hercules
och Perséus, till vänster
Michelangelos skulptur
Döende slav 1890--
representative work.
Vegetable Still
Life with
Game and Lobster
1888--representative work
Vaulted Church Aisle with Believers and Pastor,
Rothenburg--representative work.
Rio Di San Trovaso--Venice
1893--representative work
Campo San Samuele on
the Grand Canal--Venice
--representative work
Segovia 1895--representative work.
The Baptistry of Sienna (image unavailable)
--exhibited in the Fine Arts Palace, 1893 Exposition.
Ellen Jolin, the child of actor-playwright Johan Christopher Jolin and his wife Katarina Wigert, was a Stockholm watercolorist who studied privately with Fredrik Scholander, Kerstin Cardon, and the Norwegian artist Carl Hansen and at the Technical School and the Academy of Art in Stockholm. Her later studies were in Paris under Jules Lefebvre at the Académie Julian. From 1890 to 1910, she exhibited in Paris, Vienna, and Berlin and described in an illustrated book published in 1911, Från studiefärder i medelhafsländerher, her travels to other European and Mediterranean cities as well as to North Africa. Her nephew Einar Jolin as also a well-known artist.
Daydreams
1889--representative work
Pa Sommaraengen
--representative work
Young Woman Reading
--representative work
Liss Anna 1894--representative work
Church Interior with
Praying
Nun [title unknown]
--representative work
Fransk bondflicka med mjölkspannar
--representative work
Peasant Woman, Normandy (image unavailable)--
exhibited in Fine Arts Palace, 1893 Exposition
Elisabeth Keyser was a Swedish artist who studied at the Academy of Art in Stockholm and in Paris with Leon Bonnat. She painted portraits and had an art school in Stockholm . No other information is available online.
Rävjakt--representative work
Gamla Operan sedd från Helgeandsholmen
[Gustavian Opera]--representative work
It is unclear which work(s) Palm exhibited
at the Swedish Pavilion, 1893 Exposition
Anna Sofia Palm was the daughter G. W. Palm, a landscape painter and professor at Stockholm Academy and her first and perhaps only art instructor. She married an Italian officer (de Rosa) and lived in Italy afterwards, painting Italian marinescapes and continuing to paint her highly popular Stockholm scenes based on photographs of the originals. She worked primarily with watercolors.
Self-Portrait 1896--representative work
Portraett av Fur Doktorinnan
Anna Ponten 1892
--representative work
Portrait of Selma
Lagerlof
--representative work
Breakfast 1896--representative work
Portrait of Georg
Pauli
--representative work
I skärgården -
sittande kvinna
--representative work
Friends [Vanner Reading] 1887
--representative work
Portrait of
Venny Soldan-Brofeldt,
artist--exhibited in Fine Arts
Palace, 1893 Exposition.
Portrait of K. Nordstrom, the Artist and
The "Name's-day" (images unavailable)--
exhibited in Fine Arts Palace, 1893 Exposition
Hanna Hirsch Pauli was born in Stockholm, Sweden into a musical family. She began studying art at age twelve at the Stockholm Academy of Fine Arts and later in Paris at the Académie Colarossi under the direction of teachers like Pascal Dagnan-Bouveret and Raphaël Collin. She married artist George Pauli but continued signing her painting as "Hanna Hirsch." Her portrait of artist Venny Soldan-Brofeldt (see above) sitting in a casual and "unladylike" pose was considered a "shameless" or "ugly" type of realism by some.
Travelling 1926--
representative work.
Braque du Bourbannais and Greyhound
--representative work.
Puppies at Play--
representative work.
Rabbits 1902--
representative work.
Greyhounds--exhibited in
Fine Arts Palace, 1893 Exposition.
Boy with Two Greyhounds 1890
--variation of the painting to the left;
colors may be similar?
"Too Hot" (image unavailable)--exhibited
in Fine Arts Palace, 1893 Exposition
Born in Stockholm, Sweden, Ida von Schultzenheim studied at the Technical School and then the Art Academy in Stockholm. In Paris she studied drawing at the Académie Julien and portrait painting with Jules Lefebvre, but she soon concentrated on animal portraits, an interest encouraged by French animal painter Charles Jacque, and became known as the royal dog portrait painter for Queen Sophie and Queen Victoria. In Sweden, she founded and became president of the Association of Swedish Artists in order to promote the exhibition and collection of women's art which was largely ignored by the male-dominated Artists Association.
A Young Gardener--
representative work
Portrait
1892--
exhibited in Fine Arts
Palace, 1893 Exposition.
Vallflicka med näverlur
--representative work.
Kvinna i vitt 1892--
exhibited in Fine Arts
Palace, 1893 Exposition.
Skadespeler skan
Anna DeWahl--
representative work
Interior of the Castle of Gripsholm
(image unavailable) -- exhibited
in Fine Arts Palace,1893 Exposition
Emma Sparre was born into a mill-owning family (the business run later by her widowed mother). She studied at the Royal Academy of Art in Stockholm and in Düsseldorf and Rome. In Paris while she was studying with Gustave Courtois and Dagnan-Bouveret, her studio became a salon for artists and high society, as did her later home in Sweden with her artist-husband Baron Karl Axel Ambjorn Sparre. Emma was known mainly as a genre and portrait painter.
Arild Chapel
--representative
work.
Waterfalls--exhibited in Fine
Arts Palace, 1893 Exposition.
Winter Landscape--representative work
Aftonsol, Nynäs--motive
frän Södertörn--
representative work
Bygata i Arild
[Village Road in Arild]
1892--exhibited in Fine
Arts Palace, 1893 Exposition.
Moonrise (image unavailable)--exhibited at
the Fine Arts Palace, 1893 Exposition
Charlotte Wahlström studied art at the Royal Academy in Stockholm, plus she traveled and studied in Paris, Germany, Belgium and Holland. She regularly exhibited in Stockholm, as well as in Denmark and Germany.
Go to U.S. Women Painters, p. 1
Return to Women Painters Index
Return to Site Index
Text written by K. L. Nichols
Painting, top of page: Marie Konstantinovna
Bashkirtseff,
In the Studio (1881).
Return to Nichols Home Page
Suggestions/Comments: knichols11@cox.net
Posted: 6-25-02; Updated: 1-25-19
