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Cassatt as Post-Modernist?

1893 Chicago World's Fair and Exposition


Continued--page 3




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Sketch of Mrs. Currey/Sketch of Mr. Cassatt--1871.
An example of Cassatt's early "Spanish genre" style--
included here just because I like it.



As one commentator noted when this painting was up for auction recently,


This double/upside-down portrait is . . . both explosive and mysterious, bold and composed. . . . Cassatt began the painting as a portrait of her father, but decided to invert it and do a portrait of a mulatto servant, but just as she finished the mask of her portrait "she [the servant] gave warning" and left. . . ."  


Perhaps [Cassatt] left it unfinished intentionally. It is, to my thinking, the definitive America portrait: the strong mulatto woman contrasted with the evanescent father figure of security and dominance, both surrounded by flying, furious brushstrokes of dark paint, two contrasting, competing worlds (source).




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Go to Women Painters Index


Return to Cassatt's Lost Mural, p. 1


Go to Site Index



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These pages are for educational use only.

Text written by K. L. Nichols


Painting, top of page: Selection from the central panel of
Mary Cassatt's Modern Women Mural (1893)


Return to Nichols Home Page
Suggestions/Comments: knichols11@cox.net
Posted: 6-25-02; Updated: 2-2-15