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U.S. Women Painters:

1893 Chicago World's Fair & Exposition


Continued--page 7

 




U.S. Women Painters

A - Browne  l  Burgess - Cochrane  l  Coffin - Cranch  I  Darrah - Eggleston  l  Emmet - Gardner  l 

Gill - Hudson  l   Jackson - MacKubin  l  MacMonnies - Merritt  I  Moran - Nourse  I

Parrish - Robbins  I  Ross - Stephens  I  Tewksbury - Wigand



This Page:
Lily I.Jackson
Hannah T. Jenkins
Annie W. Jones
Dora Wheeler Keith
Alice Kellogg
Elizabeth Macdowell Kenton
Susan M. Ketcham
Anna Klumpke

Ella C. Lamb
Clara Welles Lathrop
Bertha S. Lee
Laura Lee
Caroline Lord
Anna Lownes
Marie K. Lusk
Florence MacKubin





Lily Irene Jackson (1848-1928)
 

Watching and Waiting--exhibited in the Board Room,
Women's Building, 1893 Exposition
 

Anticipation [two St. Bernards] (image unavailable)--exhibited
in the West Virginia Building, 1893 Exposition


Sculptor, artist, and designer, Lily I. Jackson was born into a prominent Parkersburg, West Virginia family boasting of generals (including "Stonewall" Jackson), a governor, and an important federal district judge (her father) in the family tree.  She studied art in New York and became known for her animal portraits and florals.  She was a member of the Board of Lady Managers for the Women's Building at the 1893 World's Fair.  (See the "Unidentified" category for a possible identification of Jackson's "Anticipation" painting exhibited in the West Virginia Building.)




Hannah Tempest Jenkins
(1854-1927)


Early Morning Sun, Bois de Boulogne, Paris (c. 1900)--
representative work.
 

Landscape and Still Life (images unavailable)--
oils exhibited at the 1893 Exposition.


Hannah T. Jenkins was born in Pennsylvania into a family of coal miners.  She studied art at the Pennsylvania Academy of Fine Art, followed by studies in Paris at the Académie Julian and in Japan under Tackouchi Seiho.  She taught art for many years at several colleges and was the head of the art department at Pomona College in California.  "Jenkins" is her married name.




Annie Weaver Jones (c. 1862-1911?)


A Quiet Moment (1895)--
representative watercolor.
 

Easter Lilies (image unavailable) --
watercolor exhibited at 1893 Exposition.
 

Corner of the Studio, Sunset, and On Pleasant Toil Intent--
(images unavailable) -- exhibited in
 the Illinois Building, 1893 Exposition


Annie W. Jones was born in Nashville, Tennessee but lived for most of her career in Chicago where she studied art at the Chicago Academy of Design and, in 1870,  shared a studio with prominent Chicago artist Pauline Dohn [Rudolph].  She also studied at the Art Students League in New York and in Paris.  She was married to Justus L. Johnson.

Biography/image--click on "Biography" and "Example of Work"




Dora Wheeler Keith
(1856-1940)
 

Self-portrait--representative work
 

Portrait of Candace Wheeler--
representative work

Aphrodite 1883--representative work
 


Portrait of Lawrence Hutton 1892--exhibited
in the Fine Arts Palace, 1893 Exposition
 

Daphne's Nymphs (image unavailable)--exhibited in
the Rotunda, Women's Building, 1893 Exposition


Dora Wheeler Keith was born in New York and studied art at the Art Students League under William Merritt Chase and in Paris at the Académie Julian.  Her mother, Candace Wheeler, was the artist in charge of the interior decorations in the Women's Building at the 1893 World's Fair, and Dora was the creator of the library ceiling mural in the Women's Building.  Dora married Boudinot Keith.




Alice (De Wolf) Kellogg (Tyler) (1862 - 1900)
 

 

Young Man--representative work

Self-Portrait--representative work


Sunny Corner of the Verandah 1898--representative work
 

Figure Study--representative work
 

 

The Mother 1889 [my scan]
(see
large b&w copy--or here) -- exhibited
in the Fine Arts Palace, 1893 Exposition.

     Portrait of Miss G.E.K. [her sister Gertrude] 1888--
exhibited in Board Room, 1893 Exposition.

 

Instruction (1893)--panel in frieze in the Reception
Room, Illinois Building, 1893 Exposition


Intermezzo
c.1892  (image unavailable)--
exhibited in Fine Arts Palace, 1893 Exposition.
 

A Procrastinator, Sister of Charity, Head of Old
 Woman
, and Cornelia (images unavailable)--
exhibited in the Illinois Building, 1893 Exposition


Illinois native Alice Kellogg studied art at the Chicago Academy of Design and in Paris at the Académie Julian and the Académie Colarossi under Boulanger, Lefebvre, and Courtois.  On the basis of "The Mother," painted while she was a student at the Academie Julian, she was elected to The Society of American Artists, an organization which rarely admitted midwesterners or women. A reproduction of "The Mother" was the frontispiece to the 1893 Century Illustrated Magazine. She painted many portraits for the Union League of Chicago and taught art at the Art Institute of Chicago  and at  Hull House where Kellogg formed close friendships with its founder, social reformer Jane Addams, and others.  In 1894, she married self-taught artist Orno James Tyler.  She died in 1900 at age 37. 

Portrait, Jane Addams--drawing or Portrait, Jane Addams, from a Charcoal Drawing by Alice Kellogg Tyler 1892
Out of Work or Out of Work




Elizabeth MacDowell Kenton (1858 - 1953)
 

Daydreams [Portrait of Caroline Eakins]--exhibited
in the Fine Arts Palace, 1893 Exposition
 

The daughter of a respected Philadelphia engraver and the sister of artist Susan MacDowell Eakins (who also exhibited at the 1893 Exposition), Elizabeth MacDowell Kenton studied at the Pennsylvania Academy of Fine Arts in Philadelphia, exhibited professionally, and traveled widely.  She was briefly married to Louis N. Kenton.  No other information is available online.




Susan Merrill Ketcham (1841-1930)
 

Study of a Hat 1889--
representative work
 

Portrait of a Lady c. 1890 (image unavailable)--
exhibited in the Fine Arts Palace, 1893 Exposition.
 

Susan M. Ketcham was born into a pioneer family in Indiana and studied art at the Indiana School of Arts, the Chicago Academy of Design, the New York Art Students League, and in Europe, but not until she was over forty years old.  Some of her studies were under William Merritt Chase at his Shinnecock Summer School of Art.  Along with seventeen other women, she helped found the Art Association of Indianapolis in 1883.

Seascape




Anna Elizabeth Klumpke (1856-1942)
 

Man with a Black Hat 1881--
representative work
 

In the Wash House (1887)--
representative work.

 

Portrait of Rosa Bonheur (1898)--
representative work

 

Catinou Knitting (or here)--
representative work

Elizabeth Cady Stanton 1889--
representative owrk


The Breeze--representative work
 

Reverie (1891)--
representative work
 

Portrait of Miss M. D. (image unavailable)--
 
exhibited in Women's Building, 1893 Exposition.
 

Portrait of Miss K. H. (image unavailable)--
exhibited in Fine Arts Palace, 1893 Exposition


San Francisco-born Anna E. Klumpke was raised in Switzerland by her mother.  In 1883, Klumpke enrolled at the Académie Julian where she studied under Robert-Fleury and Jules LeFebvre.  By 1889, she had won a prize from the Pennsylvania Academy of the Fine Arts for In the Wash House (for the finest figure painting).  In 1898, she worked on an impressive portrait of Rosa Bonheur whom she had admired since childhood; Klumpke became the companion of the elderly artist during the last year of her life, writing her biography and inheriting Bonheur's studio estate.

Biography
Elizabeth Cady Stanton 1889
Biography/Images--click on "Biography" and "Examples of Work"
Little Lady Blanche, 1884
 




Ella (Grace) Condie Lamb (1862-1936) 
 

Memory (stained glass window)--
representative work
 

The Open Book (stained glass window)--
representative work
 

Russell/Martindale Meserole Stained Glass Window
(see enlarged detail
here)--representative work.
 

The Crystal Gazer--representative work
 

The Advent Angel 1889--oil exhibited
in Fine Arts Palace, 1893 Exposition.


Ella Condie Lamb was born in New York where, at age 16, she enrolled in the National Academy of Design. After further study at the New York Art Students League, in London, and in Paris at the Colarossi academy, she began receiving recognition for her mosaics and stained glass, as well as paintings, sculptures, and illustrations. She was married to architect Charles Rollinson Lamb who urged her not to neglect her art for their five children.  Some of her stained glass art was produced by J. & R. Lamb Studios (her husband's family business in ecclesiastical art).  She won a medal at the 1893 Exposition.

Biography
Biography/image--click on "Biography" and "Examples of Work"




Clara Welles Lathrop (1853-1907)
 

Landscape [title unknown]--representative work
 

By her own Fireside--representative work
 

At the Flower Market (A French Flower Girl)
(image unavailable) 1891--exhibited in
Fine Arts Palace, 1893 Exposition


Clara Welles Lathrop was born in Massachusetts and studied art in New York at the Art Students League, in Brooklyn at the Pratt Institute, and in Paris with William Bouguereau and others.  No other information is available online.




Bertha Elizabeth Stringer Lee (1869/73?-1937)
 

Pacific Trees--representative work
 

Monterey Landscape--representative work
 

Ships Near Harbor--
representative work
 

It is unclear which work(s) Lee
exhibited at the 1893 Exposition.


Bertha S. Lee was born into a wealthy San Francisco family which encouraged her interest in art.  After studying with William Keith and at the California School of Design with Arthur Mathews, she went on to study in New York and Paris, returning later to her native city to set up her studio. She often painted scenes of the Monterey Peninsula and the San Francisco Bay area. She was married to Louis Eugene Lee.

Marine painting [title unknown]--scroll down the page.
Biography/images--click on "image gallery"
Hay Barge at the Wharf




Laura Lee (1867 - 1954)
 

River Reflections 1909 --representative work
 

Retrospection (image unavailable)--exhibited
in Fine Arts Palace, 1893 Exposition


Born in Massachusetts, Laura Lee studied art at the Boston Museum School of Fine Art and in Paris at the Académie Julien with William Bouguereau and Jules-Joseph Lefebvre.  An ardent suffragist, she also advocated women's dress reform at the 1893 Chicago World's Fair for which she cut and sewed her own set of "bloomers."  The fashion did not catch on.




Caroline Augusta Lord (1860-1927)
 

Woman with Geraniums--
representative work.
 

First Communion (1901)--
representative work
 

Holland Sketches and Noon (images unavailable)--
exhibited in Cincinnati Room,
Women's Building, 1893 Exposition.


The daughter of the president of the Lafayette, Indianapolis, and Cincinnati Railroad, Caroline Augusta Lord studied art at the Cincinnati Art Academy, the Art Students League in New York, and the Académie Julian and the Academy Delecluse in Paris. She taught for 25 years at the Cincinnati Art Academy and exhibited widely. Like her friend Elizabeth Nourse, Lord often painted domestic subjects and common laborers.

Woman Sewing (late 1890s)--includes short biography.
Self-portrait 1911
Acme Laundry; Acme Laundry in Cincinnati
Landscape [title unknown]




Anna Lownes (active 1884-1905)
 

A Study of Apples (1880s)--representative work
 

Still-life Study (image unavailable)--exhibited in the
Board Room, Women's Building, 1893 Exposition
 

The Raven (image unavailable)--exhibited in the
Fine Arts Palace, 1893 Exposition


Anna Lownes was active in Pennsylvania.  No other information is available online.




Marie Koupal Lusk (1862-1929)
 

Portrait of a Seated Gentleman Holding a Book
and Glasses
1890 -- representative work
 

Sailboat by the Shore--representative work
 

Pink Roses on Table--representative work
 

Music--panel in frieze of the Reception Room,
Illinois Building, 1893 Exposition
 

Broken Hearts, The Story, Martyrdom of John Huss,
 Vanity, and Sweet Peas (images unavailable) --
exhibited in the Illinois Building, 1893 Exposition


Marie K. Lusk was born in Bohemia, Czechoslovakia, but grew up in Illinois where she studied art at the Academy of Design and the Institute of Art in Chicago, followed by training at the Art Students League in New York and at the Acad
émie Colarossi in Paris.  She and artist Alice Kellogg Tyler established the first art association for women in Chicago, later known as The Palette Club.  She was married to attorney Charles Lusk.




Florence MacKubin (1861-1918)
 

  

Mrs. John Peter Ritter (miniature)
[Henry Luce III Center for the Study of American Culture]
--representative work

Portrait of Thomas Swann (1906)--
representative work
 

Miniature (title unknown)--
representative work
 

Portrait Study in Yellows (image unavailable)--
exhibited in Fine Arts Palace, 1893 Exposition
 

A Florentine Mandolin Player--exhibited in
Women's Building, 1893 Exposition


Although her parents were Americans, Florence MacKubin was born in Florence, Italy and studied art in France and Germany.  MacKubin evidently specialized in portraits (miniatures, pastels, and oil colors) of prominent people, and her portrait of Queen Henrietta Maria, commissioned by the  State of Maryland, hangs in the Annapolis State House.

10 portraits
Henrietta Maria, Queen Consort of England
Miniature Portrait




Go to U.S. Women Painters, p. 8

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These pages are for educational use only.

Text written by K. L. Nichols
 

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Posted: 6-25-02; Updated: 12-30-11